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Müzayedemizde beğenilerinize sunulan eserlerin, konularında uzman danışmanlarımız tarafından ekspertizi yapılmakta ayrıca, 2863 sayılı "Kültür ve Tabiat Varlıklarını Koruma Kanunu"na göre T.C. Kültür ve Turizm Bakanlığı Müze uzmanlar (Topkapı Sarayı Müzesi, İstanbul Türbeler Müzesi, Ayasofya Müzesi, Türk İslam Eserleri Müzesi) tarafından kontrol edilerek onaylanmaktadır.
- Kategori: Antika Kitap
Orient, Edouard Herriot, Paris: Hachette, 1934, 418 s., 18x12 cm. Orijinal resimli karton kapağında. Édouard Herriot (1872-1957) geniş kültürü ve güçlü hitabet yeteneğiyle Fransız halkı tarafından sevilen bir siyaset adamıdır. Edebi ve siyasi metinlerinin yanısıra gezi notları da kaleme almış olan Herriot, bu eserinde genç Türkiye Cumhuriyet’ini anlatan üç uzun bölüme de yer vermiştir.
Histoire du Peuple Juif, Max L. Margolis, and Alexandre Marx, Paris, Payot, 1930, 750 s., cildinde, 21 cm.
![Expédition Des "Almugavares" Ou Routiers Catalans En Orient De L'an1302 À L'an 1311, Gustave Schlumberger, Paris: Plon, [1924], v, 305 s., 1 s/b harita, 19 x12 cm. sırtı deri orijinal cildinde. XI. ve XII. yy.larda gerek Türklerin Anadolu'da ilerlemeleri, gerekse Bizans'ın kendi içinde yaşadığı iktidar mücadeleleri ve Latin işgali, pek çok Hıristiyan’ın Bizans'a yardıma gelmesine yol açmıştır. Kitapta İspanya'dan gelen Aragonlular ve Katalonyalılar dönemin tarihsel olayları içinde anlatılmaktadır.](https://d35fbhjemrkr2a.cloudfront.net/Images/Shop/159/Product/14313/400/b4a9ae90873a4b2393e892867da708bd.jpg)
![Expédition Des "Almugavares" Ou Routiers Catalans En Orient De L'an1302 À L'an 1311, Gustave Schlumberger, Paris: Plon, [1924], v, 305 s., 1 s/b harita, 19 x12 cm. sırtı deri orijinal cildinde. XI. ve XII. yy.larda gerek Türklerin Anadolu'da ilerlemeleri, gerekse Bizans'ın kendi içinde yaşadığı iktidar mücadeleleri ve Latin işgali, pek çok Hıristiyan’ın Bizans'a yardıma gelmesine yol açmıştır. Kitapta İspanya'dan gelen Aragonlular ve Katalonyalılar dönemin tarihsel olayları içinde anlatılmaktadır.](https://d35fbhjemrkr2a.cloudfront.net/Images/Shop/159/Product/14313/400/c80d8e1d20dd4d05871002290c69926b.jpg)
![Expédition Des "Almugavares" Ou Routiers Catalans En Orient De L'an1302 À L'an 1311, Gustave Schlumberger, Paris: Plon, [1924], v, 305 s., 1 s/b harita, 19 x12 cm. sırtı deri orijinal cildinde. XI. ve XII. yy.larda gerek Türklerin Anadolu'da ilerlemeleri, gerekse Bizans'ın kendi içinde yaşadığı iktidar mücadeleleri ve Latin işgali, pek çok Hıristiyan’ın Bizans'a yardıma gelmesine yol açmıştır. Kitapta İspanya'dan gelen Aragonlular ve Katalonyalılar dönemin tarihsel olayları içinde anlatılmaktadır.](https://d35fbhjemrkr2a.cloudfront.net/Images/Shop/159/Product/14313/400/dd92d84405f6449ab55b054930772ea6.jpg)
Expédition Des "Almugavares" Ou Routiers Catalans En Orient De L'an1302 À L'an 1311, Gustave Schlumberger, Paris: Plon, [1924], v, 305 s., 1 s/b harita, 19 x12 cm. sırtı deri orijinal cildinde. XI. ve XII. yy.larda gerek Türklerin Anadolu'da ilerlemeleri, gerekse Bizans'ın kendi içinde yaşadığı iktidar mücadeleleri ve Latin işgali, pek çok Hıristiyan’ın Bizans'a yardıma gelmesine yol açmıştır. Kitapta İspanya'dan gelen Aragonlular ve Katalonyalılar dönemin tarihsel olayları içinde anlatılmaktadır.
La vie de Khaireddine Barberousse, Ekrem Rechid, Paris, Gallimard, 1931, 238 s., 1 resim, orijinal cildinde, 18 cm.
Mübadelede giden Rumların beraberlerinde götürdükleri eserler
Relics of the Past / Reliques du Passé, Anna Ballian, Metinler: Angelos Delivorrias, Renée Hirschon, Ioanna Petropoulou, Anna Ballian, 2011, 232 sayfa, 96 renkli fotoğraf, 29x24 cm.
Kitap Cenevre'deki Ekümenik Patrikhane Ortodoks Merkezi'nde (Şubat - Temmuz 2011) düzenlenen sergiye eşlik ediyor. Yayın metinleri, 1923 nüfus mübadelesine ve mültecilerin Doğu Trakya, Kapadokya, Pontus vb. diğer bölgelerden Yunanistan'a getirdikleri dini kalıntılara atıfta bulunuyor.
![Amerika'ya Sanatı ve Koleksiyonculuğu öğreten, gelmiş geçmiş en büyük antikacı olarak kabul edilen Joseph Duveen -Duveen : La Chasse aux Chefs-d'oeuvre, Samuel Nathaniel Behrman, Hachette, [Paris], [1953], 251 s.; kapağı korunarak yapılmış cildinde, 20 cm. [Meraklıları için iyi bir eser olan kitap Türkçe de yayınlanmıştır. "Duveen Antikacıların Piri" ]](https://d35fbhjemrkr2a.cloudfront.net/Images/Shop/159/Product/14313/400/d5f5538f671c45c397ca3705b8d58810.jpg)
![Amerika'ya Sanatı ve Koleksiyonculuğu öğreten, gelmiş geçmiş en büyük antikacı olarak kabul edilen Joseph Duveen -Duveen : La Chasse aux Chefs-d'oeuvre, Samuel Nathaniel Behrman, Hachette, [Paris], [1953], 251 s.; kapağı korunarak yapılmış cildinde, 20 cm. [Meraklıları için iyi bir eser olan kitap Türkçe de yayınlanmıştır. "Duveen Antikacıların Piri" ]](https://d35fbhjemrkr2a.cloudfront.net/Images/Shop/159/Product/14313/400/f1cc979f07e0448da140376e4478fc1d.jpg)
![Amerika'ya Sanatı ve Koleksiyonculuğu öğreten, gelmiş geçmiş en büyük antikacı olarak kabul edilen Joseph Duveen -Duveen : La Chasse aux Chefs-d'oeuvre, Samuel Nathaniel Behrman, Hachette, [Paris], [1953], 251 s.; kapağı korunarak yapılmış cildinde, 20 cm. [Meraklıları için iyi bir eser olan kitap Türkçe de yayınlanmıştır. "Duveen Antikacıların Piri" ]](https://d35fbhjemrkr2a.cloudfront.net/Images/Shop/159/Product/14313/400/11fe2f5347f74f05a64e8bce5a162884.jpg)
Amerika'ya Sanatı ve Koleksiyonculuğu öğreten, gelmiş geçmiş en büyük antikacı olarak kabul edilen Joseph Duveen
Duveen : La Chasse aux Chefs-d'oeuvre, Samuel Nathaniel Behrman, Hachette, [Paris], [1953], 251 s.; kapağı korunarak yapılmış cildinde, 20 cm. [Meraklıları için iyi bir eser olan kitap Türkçe de yayınlanmıştır. "Duveen Antikacıların Piri" ]
The Destruction of the Greek Empire and the Story of the Capture of Constantinople by the Turks, Edwin Pears, Greenwood Press, New York, 1968, xxiv, 476 s., resimli, ciltli, 23x16 cm.
![The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843-1261, Metropolitan Museum of Art, Helen C. Evans [Editor]; William D. Wixom [Editor], 1997, 604 s., ciltli, şömizli, 31x23,5 cm.
The Glory Of Byzantium is a stunning, 604 page coffee-table artbook based on the exhibition of the art at the Metropolitan Museum of Art of the Middle Byzantine period beginning with the restoration of the use of icons by the Orthodox Church in 843 and ends with the occupation of Constantinople by the Crusader forces from the West and 1204 to 1261. The Glory Of Byzantium explores four interrelated themes: the religious and secular culture of the Second Golden Age of the Byzantine Empire; the empire's interaction with its Christian neighbors and rivals; its relations with the Islamic East; and its contact with the Latin West. Bringing together the contributions of 59 scholars and art historians, the text explores the complex currents of Byzantine civilization. More than 350 works of art assembled from 119 institutions in 24 countries are discussed and illustrated in the catalogue, presenting a significant selection of works that survive from the empire and from the countries that constituted its extended sphere of influence. Liturgical objects (including icons, mosaics, chalices, ceramics, jewelry, and manuscripts) reflect the dynamic nature of the art of this era both within and outside of the empire. The first half of the volume treats the historical context, the religious sphere, and the secular courtly realm of the empire; the second half focuses on the interactions between Byzantium and other medieval cultures, including Islam and the Latin West. The seventeen essays are accompanied by views of architectural sites and comparative illustrations. The Glory Of Byzantium is a highly recommended for academic or community libraries, and would be especially appropriate as a Memorial Fund acquisition selection. -- Midwest Book Review
From Library Journal:
The catalog of a major exhibition on Byzantium that just closed at New York's Metropolitan Museum of Art, this exquisitely produced volume contains essays by leading scholars that describe the objects exhibited and place them within a specific area of the Byzantine empire. Speros Vryonis Jr. leads off the collection with an essay on "Byzantine Society and Civilization." Other notable sections include Toli Kalavezou's "Luxury Objects," Jerry Folda's "Crusader Art," and S. Peter Crowe's "The Georgians." The editors' discussion of the culture of the period is quite thorough and offers new insights. The quality of the reproductions is very good, and both the extensive bibliography and the glossary are highly useful. One only wishes that the footnotes appeared at the bottom of the page rather than at the back of the volume. This work should be included in larger academic and public libraries.?Martin Chasin, Adult Inst., Bridgeport, Ct.](https://d35fbhjemrkr2a.cloudfront.net/Images/Shop/159/Product/14313/400/aad48dde19044bbd83eb69bfa65ca227.jpg)
![The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843-1261, Metropolitan Museum of Art, Helen C. Evans [Editor]; William D. Wixom [Editor], 1997, 604 s., ciltli, şömizli, 31x23,5 cm.
The Glory Of Byzantium is a stunning, 604 page coffee-table artbook based on the exhibition of the art at the Metropolitan Museum of Art of the Middle Byzantine period beginning with the restoration of the use of icons by the Orthodox Church in 843 and ends with the occupation of Constantinople by the Crusader forces from the West and 1204 to 1261. The Glory Of Byzantium explores four interrelated themes: the religious and secular culture of the Second Golden Age of the Byzantine Empire; the empire's interaction with its Christian neighbors and rivals; its relations with the Islamic East; and its contact with the Latin West. Bringing together the contributions of 59 scholars and art historians, the text explores the complex currents of Byzantine civilization. More than 350 works of art assembled from 119 institutions in 24 countries are discussed and illustrated in the catalogue, presenting a significant selection of works that survive from the empire and from the countries that constituted its extended sphere of influence. Liturgical objects (including icons, mosaics, chalices, ceramics, jewelry, and manuscripts) reflect the dynamic nature of the art of this era both within and outside of the empire. The first half of the volume treats the historical context, the religious sphere, and the secular courtly realm of the empire; the second half focuses on the interactions between Byzantium and other medieval cultures, including Islam and the Latin West. The seventeen essays are accompanied by views of architectural sites and comparative illustrations. The Glory Of Byzantium is a highly recommended for academic or community libraries, and would be especially appropriate as a Memorial Fund acquisition selection. -- Midwest Book Review
From Library Journal:
The catalog of a major exhibition on Byzantium that just closed at New York's Metropolitan Museum of Art, this exquisitely produced volume contains essays by leading scholars that describe the objects exhibited and place them within a specific area of the Byzantine empire. Speros Vryonis Jr. leads off the collection with an essay on "Byzantine Society and Civilization." Other notable sections include Toli Kalavezou's "Luxury Objects," Jerry Folda's "Crusader Art," and S. Peter Crowe's "The Georgians." The editors' discussion of the culture of the period is quite thorough and offers new insights. The quality of the reproductions is very good, and both the extensive bibliography and the glossary are highly useful. One only wishes that the footnotes appeared at the bottom of the page rather than at the back of the volume. This work should be included in larger academic and public libraries.?Martin Chasin, Adult Inst., Bridgeport, Ct.](https://d35fbhjemrkr2a.cloudfront.net/Images/Shop/159/Product/14313/400/c02cfec4850948ba95f0f1901aaa7212.jpg)
![The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843-1261, Metropolitan Museum of Art, Helen C. Evans [Editor]; William D. Wixom [Editor], 1997, 604 s., ciltli, şömizli, 31x23,5 cm.
The Glory Of Byzantium is a stunning, 604 page coffee-table artbook based on the exhibition of the art at the Metropolitan Museum of Art of the Middle Byzantine period beginning with the restoration of the use of icons by the Orthodox Church in 843 and ends with the occupation of Constantinople by the Crusader forces from the West and 1204 to 1261. The Glory Of Byzantium explores four interrelated themes: the religious and secular culture of the Second Golden Age of the Byzantine Empire; the empire's interaction with its Christian neighbors and rivals; its relations with the Islamic East; and its contact with the Latin West. Bringing together the contributions of 59 scholars and art historians, the text explores the complex currents of Byzantine civilization. More than 350 works of art assembled from 119 institutions in 24 countries are discussed and illustrated in the catalogue, presenting a significant selection of works that survive from the empire and from the countries that constituted its extended sphere of influence. Liturgical objects (including icons, mosaics, chalices, ceramics, jewelry, and manuscripts) reflect the dynamic nature of the art of this era both within and outside of the empire. The first half of the volume treats the historical context, the religious sphere, and the secular courtly realm of the empire; the second half focuses on the interactions between Byzantium and other medieval cultures, including Islam and the Latin West. The seventeen essays are accompanied by views of architectural sites and comparative illustrations. The Glory Of Byzantium is a highly recommended for academic or community libraries, and would be especially appropriate as a Memorial Fund acquisition selection. -- Midwest Book Review
From Library Journal:
The catalog of a major exhibition on Byzantium that just closed at New York's Metropolitan Museum of Art, this exquisitely produced volume contains essays by leading scholars that describe the objects exhibited and place them within a specific area of the Byzantine empire. Speros Vryonis Jr. leads off the collection with an essay on "Byzantine Society and Civilization." Other notable sections include Toli Kalavezou's "Luxury Objects," Jerry Folda's "Crusader Art," and S. Peter Crowe's "The Georgians." The editors' discussion of the culture of the period is quite thorough and offers new insights. The quality of the reproductions is very good, and both the extensive bibliography and the glossary are highly useful. One only wishes that the footnotes appeared at the bottom of the page rather than at the back of the volume. This work should be included in larger academic and public libraries.?Martin Chasin, Adult Inst., Bridgeport, Ct.](https://d35fbhjemrkr2a.cloudfront.net/Images/Shop/159/Product/14313/400/6aff7dc97aae4084bbcea716d770bf9a.jpg)
![The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843-1261, Metropolitan Museum of Art, Helen C. Evans [Editor]; William D. Wixom [Editor], 1997, 604 s., ciltli, şömizli, 31x23,5 cm.
The Glory Of Byzantium is a stunning, 604 page coffee-table artbook based on the exhibition of the art at the Metropolitan Museum of Art of the Middle Byzantine period beginning with the restoration of the use of icons by the Orthodox Church in 843 and ends with the occupation of Constantinople by the Crusader forces from the West and 1204 to 1261. The Glory Of Byzantium explores four interrelated themes: the religious and secular culture of the Second Golden Age of the Byzantine Empire; the empire's interaction with its Christian neighbors and rivals; its relations with the Islamic East; and its contact with the Latin West. Bringing together the contributions of 59 scholars and art historians, the text explores the complex currents of Byzantine civilization. More than 350 works of art assembled from 119 institutions in 24 countries are discussed and illustrated in the catalogue, presenting a significant selection of works that survive from the empire and from the countries that constituted its extended sphere of influence. Liturgical objects (including icons, mosaics, chalices, ceramics, jewelry, and manuscripts) reflect the dynamic nature of the art of this era both within and outside of the empire. The first half of the volume treats the historical context, the religious sphere, and the secular courtly realm of the empire; the second half focuses on the interactions between Byzantium and other medieval cultures, including Islam and the Latin West. The seventeen essays are accompanied by views of architectural sites and comparative illustrations. The Glory Of Byzantium is a highly recommended for academic or community libraries, and would be especially appropriate as a Memorial Fund acquisition selection. -- Midwest Book Review
From Library Journal:
The catalog of a major exhibition on Byzantium that just closed at New York's Metropolitan Museum of Art, this exquisitely produced volume contains essays by leading scholars that describe the objects exhibited and place them within a specific area of the Byzantine empire. Speros Vryonis Jr. leads off the collection with an essay on "Byzantine Society and Civilization." Other notable sections include Toli Kalavezou's "Luxury Objects," Jerry Folda's "Crusader Art," and S. Peter Crowe's "The Georgians." The editors' discussion of the culture of the period is quite thorough and offers new insights. The quality of the reproductions is very good, and both the extensive bibliography and the glossary are highly useful. One only wishes that the footnotes appeared at the bottom of the page rather than at the back of the volume. This work should be included in larger academic and public libraries.?Martin Chasin, Adult Inst., Bridgeport, Ct.](https://d35fbhjemrkr2a.cloudfront.net/Images/Shop/159/Product/14313/400/7cc81044048748c9a99795a95d8ba264.jpg)
![The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843-1261, Metropolitan Museum of Art, Helen C. Evans [Editor]; William D. Wixom [Editor], 1997, 604 s., ciltli, şömizli, 31x23,5 cm.
The Glory Of Byzantium is a stunning, 604 page coffee-table artbook based on the exhibition of the art at the Metropolitan Museum of Art of the Middle Byzantine period beginning with the restoration of the use of icons by the Orthodox Church in 843 and ends with the occupation of Constantinople by the Crusader forces from the West and 1204 to 1261. The Glory Of Byzantium explores four interrelated themes: the religious and secular culture of the Second Golden Age of the Byzantine Empire; the empire's interaction with its Christian neighbors and rivals; its relations with the Islamic East; and its contact with the Latin West. Bringing together the contributions of 59 scholars and art historians, the text explores the complex currents of Byzantine civilization. More than 350 works of art assembled from 119 institutions in 24 countries are discussed and illustrated in the catalogue, presenting a significant selection of works that survive from the empire and from the countries that constituted its extended sphere of influence. Liturgical objects (including icons, mosaics, chalices, ceramics, jewelry, and manuscripts) reflect the dynamic nature of the art of this era both within and outside of the empire. The first half of the volume treats the historical context, the religious sphere, and the secular courtly realm of the empire; the second half focuses on the interactions between Byzantium and other medieval cultures, including Islam and the Latin West. The seventeen essays are accompanied by views of architectural sites and comparative illustrations. The Glory Of Byzantium is a highly recommended for academic or community libraries, and would be especially appropriate as a Memorial Fund acquisition selection. -- Midwest Book Review
From Library Journal:
The catalog of a major exhibition on Byzantium that just closed at New York's Metropolitan Museum of Art, this exquisitely produced volume contains essays by leading scholars that describe the objects exhibited and place them within a specific area of the Byzantine empire. Speros Vryonis Jr. leads off the collection with an essay on "Byzantine Society and Civilization." Other notable sections include Toli Kalavezou's "Luxury Objects," Jerry Folda's "Crusader Art," and S. Peter Crowe's "The Georgians." The editors' discussion of the culture of the period is quite thorough and offers new insights. The quality of the reproductions is very good, and both the extensive bibliography and the glossary are highly useful. One only wishes that the footnotes appeared at the bottom of the page rather than at the back of the volume. This work should be included in larger academic and public libraries.?Martin Chasin, Adult Inst., Bridgeport, Ct.](https://d35fbhjemrkr2a.cloudfront.net/Images/Shop/159/Product/14313/400/d983ad896d2d4cb5b9106db8af1597f0.jpg)
![The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843-1261, Metropolitan Museum of Art, Helen C. Evans [Editor]; William D. Wixom [Editor], 1997, 604 s., ciltli, şömizli, 31x23,5 cm.
The Glory Of Byzantium is a stunning, 604 page coffee-table artbook based on the exhibition of the art at the Metropolitan Museum of Art of the Middle Byzantine period beginning with the restoration of the use of icons by the Orthodox Church in 843 and ends with the occupation of Constantinople by the Crusader forces from the West and 1204 to 1261. The Glory Of Byzantium explores four interrelated themes: the religious and secular culture of the Second Golden Age of the Byzantine Empire; the empire's interaction with its Christian neighbors and rivals; its relations with the Islamic East; and its contact with the Latin West. Bringing together the contributions of 59 scholars and art historians, the text explores the complex currents of Byzantine civilization. More than 350 works of art assembled from 119 institutions in 24 countries are discussed and illustrated in the catalogue, presenting a significant selection of works that survive from the empire and from the countries that constituted its extended sphere of influence. Liturgical objects (including icons, mosaics, chalices, ceramics, jewelry, and manuscripts) reflect the dynamic nature of the art of this era both within and outside of the empire. The first half of the volume treats the historical context, the religious sphere, and the secular courtly realm of the empire; the second half focuses on the interactions between Byzantium and other medieval cultures, including Islam and the Latin West. The seventeen essays are accompanied by views of architectural sites and comparative illustrations. The Glory Of Byzantium is a highly recommended for academic or community libraries, and would be especially appropriate as a Memorial Fund acquisition selection. -- Midwest Book Review
From Library Journal:
The catalog of a major exhibition on Byzantium that just closed at New York's Metropolitan Museum of Art, this exquisitely produced volume contains essays by leading scholars that describe the objects exhibited and place them within a specific area of the Byzantine empire. Speros Vryonis Jr. leads off the collection with an essay on "Byzantine Society and Civilization." Other notable sections include Toli Kalavezou's "Luxury Objects," Jerry Folda's "Crusader Art," and S. Peter Crowe's "The Georgians." The editors' discussion of the culture of the period is quite thorough and offers new insights. The quality of the reproductions is very good, and both the extensive bibliography and the glossary are highly useful. One only wishes that the footnotes appeared at the bottom of the page rather than at the back of the volume. This work should be included in larger academic and public libraries.?Martin Chasin, Adult Inst., Bridgeport, Ct.](https://d35fbhjemrkr2a.cloudfront.net/Images/Shop/159/Product/14313/400/1a078464e5af4e08bef915774f425dda.jpg)
![The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843-1261, Metropolitan Museum of Art, Helen C. Evans [Editor]; William D. Wixom [Editor], 1997, 604 s., ciltli, şömizli, 31x23,5 cm.
The Glory Of Byzantium is a stunning, 604 page coffee-table artbook based on the exhibition of the art at the Metropolitan Museum of Art of the Middle Byzantine period beginning with the restoration of the use of icons by the Orthodox Church in 843 and ends with the occupation of Constantinople by the Crusader forces from the West and 1204 to 1261. The Glory Of Byzantium explores four interrelated themes: the religious and secular culture of the Second Golden Age of the Byzantine Empire; the empire's interaction with its Christian neighbors and rivals; its relations with the Islamic East; and its contact with the Latin West. Bringing together the contributions of 59 scholars and art historians, the text explores the complex currents of Byzantine civilization. More than 350 works of art assembled from 119 institutions in 24 countries are discussed and illustrated in the catalogue, presenting a significant selection of works that survive from the empire and from the countries that constituted its extended sphere of influence. Liturgical objects (including icons, mosaics, chalices, ceramics, jewelry, and manuscripts) reflect the dynamic nature of the art of this era both within and outside of the empire. The first half of the volume treats the historical context, the religious sphere, and the secular courtly realm of the empire; the second half focuses on the interactions between Byzantium and other medieval cultures, including Islam and the Latin West. The seventeen essays are accompanied by views of architectural sites and comparative illustrations. The Glory Of Byzantium is a highly recommended for academic or community libraries, and would be especially appropriate as a Memorial Fund acquisition selection. -- Midwest Book Review
From Library Journal:
The catalog of a major exhibition on Byzantium that just closed at New York's Metropolitan Museum of Art, this exquisitely produced volume contains essays by leading scholars that describe the objects exhibited and place them within a specific area of the Byzantine empire. Speros Vryonis Jr. leads off the collection with an essay on "Byzantine Society and Civilization." Other notable sections include Toli Kalavezou's "Luxury Objects," Jerry Folda's "Crusader Art," and S. Peter Crowe's "The Georgians." The editors' discussion of the culture of the period is quite thorough and offers new insights. The quality of the reproductions is very good, and both the extensive bibliography and the glossary are highly useful. One only wishes that the footnotes appeared at the bottom of the page rather than at the back of the volume. This work should be included in larger academic and public libraries.?Martin Chasin, Adult Inst., Bridgeport, Ct.](https://d35fbhjemrkr2a.cloudfront.net/Images/Shop/159/Product/14313/400/91a56028d3694cc68ca14c91596925c0.jpg)
![The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843-1261, Metropolitan Museum of Art, Helen C. Evans [Editor]; William D. Wixom [Editor], 1997, 604 s., ciltli, şömizli, 31x23,5 cm.
The Glory Of Byzantium is a stunning, 604 page coffee-table artbook based on the exhibition of the art at the Metropolitan Museum of Art of the Middle Byzantine period beginning with the restoration of the use of icons by the Orthodox Church in 843 and ends with the occupation of Constantinople by the Crusader forces from the West and 1204 to 1261. The Glory Of Byzantium explores four interrelated themes: the religious and secular culture of the Second Golden Age of the Byzantine Empire; the empire's interaction with its Christian neighbors and rivals; its relations with the Islamic East; and its contact with the Latin West. Bringing together the contributions of 59 scholars and art historians, the text explores the complex currents of Byzantine civilization. More than 350 works of art assembled from 119 institutions in 24 countries are discussed and illustrated in the catalogue, presenting a significant selection of works that survive from the empire and from the countries that constituted its extended sphere of influence. Liturgical objects (including icons, mosaics, chalices, ceramics, jewelry, and manuscripts) reflect the dynamic nature of the art of this era both within and outside of the empire. The first half of the volume treats the historical context, the religious sphere, and the secular courtly realm of the empire; the second half focuses on the interactions between Byzantium and other medieval cultures, including Islam and the Latin West. The seventeen essays are accompanied by views of architectural sites and comparative illustrations. The Glory Of Byzantium is a highly recommended for academic or community libraries, and would be especially appropriate as a Memorial Fund acquisition selection. -- Midwest Book Review
From Library Journal:
The catalog of a major exhibition on Byzantium that just closed at New York's Metropolitan Museum of Art, this exquisitely produced volume contains essays by leading scholars that describe the objects exhibited and place them within a specific area of the Byzantine empire. Speros Vryonis Jr. leads off the collection with an essay on "Byzantine Society and Civilization." Other notable sections include Toli Kalavezou's "Luxury Objects," Jerry Folda's "Crusader Art," and S. Peter Crowe's "The Georgians." The editors' discussion of the culture of the period is quite thorough and offers new insights. The quality of the reproductions is very good, and both the extensive bibliography and the glossary are highly useful. One only wishes that the footnotes appeared at the bottom of the page rather than at the back of the volume. This work should be included in larger academic and public libraries.?Martin Chasin, Adult Inst., Bridgeport, Ct.](https://d35fbhjemrkr2a.cloudfront.net/Images/Shop/159/Product/14313/400/9afbda52275148b9a52e3028457df3cf.jpg)
![The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843-1261, Metropolitan Museum of Art, Helen C. Evans [Editor]; William D. Wixom [Editor], 1997, 604 s., ciltli, şömizli, 31x23,5 cm.
The Glory Of Byzantium is a stunning, 604 page coffee-table artbook based on the exhibition of the art at the Metropolitan Museum of Art of the Middle Byzantine period beginning with the restoration of the use of icons by the Orthodox Church in 843 and ends with the occupation of Constantinople by the Crusader forces from the West and 1204 to 1261. The Glory Of Byzantium explores four interrelated themes: the religious and secular culture of the Second Golden Age of the Byzantine Empire; the empire's interaction with its Christian neighbors and rivals; its relations with the Islamic East; and its contact with the Latin West. Bringing together the contributions of 59 scholars and art historians, the text explores the complex currents of Byzantine civilization. More than 350 works of art assembled from 119 institutions in 24 countries are discussed and illustrated in the catalogue, presenting a significant selection of works that survive from the empire and from the countries that constituted its extended sphere of influence. Liturgical objects (including icons, mosaics, chalices, ceramics, jewelry, and manuscripts) reflect the dynamic nature of the art of this era both within and outside of the empire. The first half of the volume treats the historical context, the religious sphere, and the secular courtly realm of the empire; the second half focuses on the interactions between Byzantium and other medieval cultures, including Islam and the Latin West. The seventeen essays are accompanied by views of architectural sites and comparative illustrations. The Glory Of Byzantium is a highly recommended for academic or community libraries, and would be especially appropriate as a Memorial Fund acquisition selection. -- Midwest Book Review
From Library Journal:
The catalog of a major exhibition on Byzantium that just closed at New York's Metropolitan Museum of Art, this exquisitely produced volume contains essays by leading scholars that describe the objects exhibited and place them within a specific area of the Byzantine empire. Speros Vryonis Jr. leads off the collection with an essay on "Byzantine Society and Civilization." Other notable sections include Toli Kalavezou's "Luxury Objects," Jerry Folda's "Crusader Art," and S. Peter Crowe's "The Georgians." The editors' discussion of the culture of the period is quite thorough and offers new insights. The quality of the reproductions is very good, and both the extensive bibliography and the glossary are highly useful. One only wishes that the footnotes appeared at the bottom of the page rather than at the back of the volume. This work should be included in larger academic and public libraries.?Martin Chasin, Adult Inst., Bridgeport, Ct.](https://d35fbhjemrkr2a.cloudfront.net/Images/Shop/159/Product/14313/400/f186d52bb9324e76a8f3e704d087f1dc.jpg)
The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843-1261, Metropolitan Museum of Art, Helen C. Evans [Editor]; William D. Wixom [Editor], 1997, 604 s., ciltli, şömizli, 31x23,5 cm.
The Glory Of Byzantium is a stunning, 604 page coffee-table artbook based on the exhibition of the art at the Metropolitan Museum of Art of the Middle Byzantine period beginning with the restoration of the use of icons by the Orthodox Church in 843 and ends with the occupation of Constantinople by the Crusader forces from the West and 1204 to 1261. The Glory Of Byzantium explores four interrelated themes: the religious and secular culture of the Second Golden Age of the Byzantine Empire; the empire's interaction with its Christian neighbors and rivals; its relations with the Islamic East; and its contact with the Latin West. Bringing together the contributions of 59 scholars and art historians, the text explores the complex currents of Byzantine civilization. More than 350 works of art assembled from 119 institutions in 24 countries are discussed and illustrated in the catalogue, presenting a significant selection of works that survive from the empire and from the countries that constituted its extended sphere of influence. Liturgical objects (including icons, mosaics, chalices, ceramics, jewelry, and manuscripts) reflect the dynamic nature of the art of this era both within and outside of the empire. The first half of the volume treats the historical context, the religious sphere, and the secular courtly realm of the empire; the second half focuses on the interactions between Byzantium and other medieval cultures, including Islam and the Latin West. The seventeen essays are accompanied by views of architectural sites and comparative illustrations. The Glory Of Byzantium is a highly recommended for academic or community libraries, and would be especially appropriate as a Memorial Fund acquisition selection. -- Midwest Book Review
From Library Journal:
The catalog of a major exhibition on Byzantium that just closed at New York's Metropolitan Museum of Art, this exquisitely produced volume contains essays by leading scholars that describe the objects exhibited and place them within a specific area of the Byzantine empire. Speros Vryonis Jr. leads off the collection with an essay on "Byzantine Society and Civilization." Other notable sections include Toli Kalavezou's "Luxury Objects," Jerry Folda's "Crusader Art," and S. Peter Crowe's "The Georgians." The editors' discussion of the culture of the period is quite thorough and offers new insights. The quality of the reproductions is very good, and both the extensive bibliography and the glossary are highly useful. One only wishes that the footnotes appeared at the bottom of the page rather than at the back of the volume. This work should be included in larger academic and public libraries.?Martin Chasin, Adult Inst., Bridgeport, Ct.
De Byzance a Istanbul - Un port pour deux Continents, Noémi Lévy, Kolektif, 2009, 364 s., fotoğraflı, 31x23 cm.
Türkçe Yunanca Yer adları, Atina, özel baskı
Batı Anadolu Antik Şehirler Kılavuz ve Haritası, E. E. Koybapa, Atina, 1991, 135 s., katlanır cep içinde harita, 30 cm.
İstanbul'dan Fotoğraflar (1976 - 1984)
ΦΩTOΓPAΦIEΣ AΠO ΠOΛH (1976 - 1984), Έλεώυόρα Aρϗελάου, Atina, 1990, 139 s., 4 s., 28x21 cm. Taksim, Beyoğlu, Tarlabaşı, Edirnekapı, Tepebaşı'nın çocukluğu ve gençliğini Beyoğlu'nda yaşamış, bilahare Atina'ya göç etmiş İstanbullu bir Rum Hanım'ın objektifinden.
